BIMO

Yi Nationality the Bimo painting is a local religious painting, with Yi totem worship, hero worship, nature worship, have a close relationship.

云南彝族毕摩绘画是属于一种本土的宗教绘画，跟彝族的图腾崇拜、英雄崇拜、自然崇拜等有着密切的关系。

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Does the work of Yi women intellectuals and practitioners complement Bimo practices?

女性文化精英和仪式从业者对于毕摩的文化实践是否构成补充作用？

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Bimo culture has encouraged the Yi to beat their enemies and overcome natural disasters.

激励着彝族人民的自信心和自尊心，鼓舞世代彝族人民战胜强敌和自然灾害。

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The balance of the skill(" Bimo") and the mind are important.

笔墨这种技术和精神性的平衡也是非常重要的。

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The Expression and Transition of the Religious Belief of Yi: An Empirical Study on Bimo Ritual

凉山彝族信仰的表达与嬗变&对毕摩仪式的经验研究

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Totemism existed in ancient times, Bimo produced in the period of matriarchal commune, mature in the patriarchal clan commune period.

图腾崇拜是在远古时期就存在，而毕摩产生于母系氏族公社时期，成熟于父系氏族公社时期。

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Third, the cultural connotation of the Yi totem culture Bimo paintings.

第三，对彝族图腾文化中毕摩绘画的文化内涵的分析。

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Bimo Culture and the Development of Tourism in Yi Areas

毕摩文化与彝族旅游开发

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Bimo cultural tourism resource deserves exploitation.

毕摩文化是彝族文化的重要组成部分，是极有开发价值的民族文化旅游资源。

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