carol: susan, were you ever a writer?

carol: yes. i studied journalism at columbia university.

卡罗：是的，我在哥伦比亚大学学的是新闻学。

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carol: ok, let's begin with the basics.

卡罗：好，我们从基础的开始吧。

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carol: can you move us to a different room?

卡罗：你可以帮我们换到另一间房间吗？

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carol: thank you, steven. that's nice.

卡罗：谢谢你，史蒂文。你真好。

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carol: i don't want to talk about him.

卡罗：我不想谈他。

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both kahlo and rivera shine forth from these domestic images.

卡罗与里维拉在这些家庭照上显得熠熠生辉。

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carol: steven, i want to talk to you.

卡罗：史蒂文，我想和你谈谈。

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word is, carlo's parties are a regular event.

据说卡罗时常举办这类聚会。

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carol: yes, there is. it's beautiful.

卡罗：是的，有。非常漂亮。

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carol: i stayed at home and cleaned the house.

卡罗：我呆在家里打扫房间。

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in this paper, the statistical properties of projection range distributions in amorphous solids are investigated by using the approximate solution of the boltzmann transport equation and the dynamic monte carlo simulation, which is based on the binary collision approximation.

用基于两体碰撞近似的动态蒙特-卡罗模拟方法和Boltzmann输运方程近似解法，研究注入离子在无定形固体靶中投影射程分布的统计特性。

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the autocorrelation function of the output polarization states of the optical transmission links in presence of polarization mode dispersion ( pmd) and polarization dependent loss ( pdl) was investigated by theory and monte-carlo simulation method.

在同时考虑偏振模色散（PMD）及偏振相关损耗（PDL）情况下，分别通过理论和蒙特-卡罗方法研究了光传输链路的输出信号偏振态相关函数。

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she said:' i love the works of all the bronte sisters, and really wanted to encourage other people to find out more about them.

我很喜欢勃朗特三姐妹的作品，想要鼓励其他人也多去发现她们作品的魅力。

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lyn-marie, who sews all the costumes herself, said her passion for the brontes might have stemmed from an honours degree in history.

坎丽芙的衣服全部是自己手工缝制的，她表示自己对勃朗特三姐妹的热情都是由于自己是历史学荣誉学士毕业生的缘故。

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asked about the omission of female icons such as jane austen and the bronte sisters, he said:" whenever we do these things there is always someone who wants their favourite rock band or icon in the book.

被问及为何女性偶像简·奥斯汀和勃朗特姐妹等人没有入选，他说：“每当我们做这类事情的时候，总有人希望将他们最爱的摇滚乐队或偶像列入其中。”

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this thesis makes a systematic research on the transformative process of the classical cinderella in female writers' novels within almost half a century, from the early fanny burney to the later bronte sisters.

本文系统地研究了从18世纪最著名的女作家范妮·伯尼到维多利亚中期勃朗特姐妹这大半个世纪里英国女性小说中经典的灰姑娘形象的嬗变过程。

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in the past 100 years, with the rising of the feminism movement and the introduction of new methods and viewpoints, the rereading of the classics casts new ideas on bronte sisters' novels.

近百年来，随着女权运动的兴起，以及新方法，新角度的介入，对经典的重新解读赋予了勃朗特姐妹的作品以新的意义。

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she added:' i dress as charlotte because the other brontes were quite young when they died and i'm 49.

她还表示：我打扮成夏洛蒂，是因为其他两位勃朗特姐妹都是在很年轻的时候过世，而我今年都49岁了。

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the first part introduces the social background of victorian age and the experience of the bronte sisters, and also gives a brief generalization of feminist theory.

文章第一部分介绍了维多利亚时期的社会背景，勃朗特姐妹的生活经历，同时还简单的对女权理论进行了概括。

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all the bronte sisters used pseudonyms.

勃朗特姐妹都使用笔名

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