coloratura

The main reason is that in the researcher of the etudes, the coloratura soprano is still incomplete or has its own style.

其主要原因是练习曲研究中，善未有完整的，或者自成一体的花腔女高音练习曲。

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Second, three aspects of the two classical coloratura soprano arias in the Operas, i.e. the characters, musical structure and of singing skills will be analyzed.

第四章为歌剧《魔笛》中花腔女高音经典唱段的分析，同样从人物角色、音乐结构及演唱技巧等方面对两首歌剧中的花腔女高音经典唱段进行分析。

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Contemporary World-renowned Coloratura Soprano& Joan Sutherland

当代世界著名花腔女高音&琼·萨瑟兰

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Second, the identical delivery of creation of coloratura soprano compositions is to pursue to poetical melody and folk aesthetic.

其二、追求旋律的诗境美、彰显民族特色是中西花腔女高音作品创作的一致风格。

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Coloratura riff first appeared in Gregorian chant and was developed to its peak by Castratos in the 17th and 18th century. Since then, Coloratura becomes an indispensable important component in bel canto.

花腔唱法最早出现在格利高里圣咏中，在十七十八世纪时，由阉人歌手将其发展至鼎盛，从而使得花腔唱法成为美声唱法中一个不可或缺的重要组成部分。

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as the work style needs, aesthetic standards and the physical conditions and other factors, coloratura fulcrum in the breath, breath capacity issues are not the same with the other voices.

由于作品风格需要、审美标准以及生理条件等因素，花腔女高音在气息支点、咽部状态、气息量的问题上，都与其它声部不尽相同。

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then the use of breath-part feature as a starting point, the use of psychological methods for the media, by comparison with other voices to demonstrate the use of the unique atmosphere of coloratura.

再以该声部的气息运用特点为出发点，运用心理手段为媒介，通过与其它声部的比较，从而论证花腔女高音气息运用的独到之处。

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third, creative approaches consisting of tonality, syncopation harmony and coloratura are mutual technical characteristic.

其三、调性、切分音、和声技术的运用、花腔乐句的设计等创作手法，是中西花腔女高音作品创作中所共有的技术特征。

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At present, there are many coloratura soprano learners in China. However, not many of them can become an outstanding singer.

目前，国内的花腔女高音学习者众多，但能够成为出色的演唱者并不多。

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Coloratura soprano is the sound of a more special kind, the paper discusses the coloratura development from a historical perspective, and the characteristics of voices.

【中文摘要】花腔女高音是女高音中的一种较特殊的声部类型，本文从历史角度论述花腔女高音发展，以及声部特点。

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