Similarly, 68% use their right hand for scissors and 74% hold a dinner knife in their right hands.

  • 相同地,68%的人用右手使剪子,74%的用右手握餐刀。
  • 来源:互联网摘选更新时间:2026-07-14 05:08:43

  • 重点词汇
  • andconj. 和;与;而且;于是;然后
  • dinnern.正餐,主餐;宴会;晚餐;
  • aart. 一(个);每一(个);任一(个),用于辅音音素开头的单词前
  • similarlyadv.相似地;类似地;同样;也;
  • knifen.刀;匕首;刃部;手术刀;
  • right handn.右手;
  • Sn. 英语字母表的第19个字母
  • theirdet.他们的;她们的;它们的;(在提及性别不详的人时,用以代替his或her);
  • 相关例句
1、

In fact they were driving by the rear-view mirror – ignoring the extraordinary cheapness of equities in favour of the asset that had done the best in the past decade.

事实上,他们是在看着后视镜开车&忽视了极其廉价的股票,转而青睐过去十年表现最佳的资产。

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2、

The stability of the gyro-stabilized platform driving a mirror

传动反射镜方式的陀螺稳定平台的稳定性

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3、

A Method for Driving Scan Mirror

一种驱动扫描镜扫描运动的方法

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4、

Drivers have to learn to watch the traffic ahead and keep their eye on the driving mirror at one and the same time.

司机们必须学会既注意前方的交通,同时又留神后视镜。

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5、

The mo to rist saw in his driving mirror that a police car was following him.

那位驾车人从他的后视镜里看到一辆警车正跟着他。

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6、

His driving mirror is dim. She admired her image in the mirror.

她欣赏自己镜中的形象。

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7、

Dostoevsky is a pioneer of modernist psychological fiction for his unique and incisive psychological analysis of his characters.

陀斯妥耶夫斯基对作品人物独到、精辟的心理展示和灵魂剖析,开辟了现实主义心理小说的先河。

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8、

It is just these debates among different sounds, images and consciousness that form the base of art form and style of Dostoevsky.

正是这些声音、意识、形象的相互争辩和斗争,构成了陀氏艺术形式和艺术风格的基础。

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9、

Some people have seen Dostoevsky's novels as prophetic depictions of life under the Soviet regime.

有些人看到了陀斯妥耶夫斯基小说的预言下的生活描写的苏维埃政权。

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10、

The Modernist Features in Dostoevsky's Novels

陀斯妥耶夫斯基小说创作中的若干现代性特征

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11、

When European modernism rolls up, Dostoevsky exams and criticizes it clearly.

在欧洲现代性席卷而来之时,陀氏给予了清醒的审视和批判。

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12、

The Thinking on the Edge of Death& On Dostoevsky's View of the Immortality of Souls

死亡边缘的思考&析陀思妥耶夫斯基的灵魂不死观

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13、

The theory of polyphonic novel was put forward by Bahtin in the interpretation of dostoevsky.

摘要巴赫金在对陀思妥耶夫斯基创作的解读中提出了复调小说理论。

provided by jukuu

14、

I'm Dostoevsky's Underground Man.

我是陀思妥耶夫斯基笔下的在地下室中生活的那个人。

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15、

The Lost ″ Golden Age ″: The Descriptions of Scenery in Dostoevsky ′ s Works

失落的黄金时代&谈陀思妥耶夫斯基作品中的景物描写

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16、

Polyphonic Theory of Bakhtin and Dostoevsky s Crime and Punishment;

巴赫金复调理论诗学与陀思妥耶夫斯基的《罪与罚》

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17、

giant of the South with Dostoevsky's soul.

有着陀思妥耶夫斯基之魂的南方伟人

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18、

Dostoevsky's loneliness in his Writing and his Religious Way of Clearing it up

陀思妥耶夫斯基创作中的孤独及其宗教消解

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19、

The Dream and Illusion of Crime in Dostoevsky's Novels

论陀思妥耶夫斯基小说中的罪之梦幻

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20、

Dostoevsky had a rough and more difficult life, to achieve the level that ordinary people unbearable.

陀思妥耶夫斯基一生坎坷多难,达到常人难以承受的程度。

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