the thinker Euripides, not the poet.

The truth of the matter is that no Greek artist ever treated his audience with greater audacity and self sufficiency than Euripides;

其实，再没有一个希腊艺术家，象欧里庇德斯那样，以孤傲和自负来对待他的观众了；

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The fact that the aims of Socrates and Euripides were closely allied did not escape the attention of their contemporaries.

苏格拉底同欧里庇德斯的倾向有密切关系，当时古代人也曾注意及此。

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All the same, Euripides thought he noticed chat during those early scenes the spectators were in a peculiar state of unrest

然而，欧里庇德斯仍然认为，他看出：观众在头几场中，尤其焦急要解答剧情的前因后果，

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Many great ancient writers, including Plato, Aristotle, Euripides, Cicero, Seneca and others had this false belief.

古希腊罗马的许多作家，包括柏拉图、亚里士多德、欧里庇德斯、西塞罗、塞内加等都对此深入不疑。

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Nothing could be more at odds with our dramaturgic notions than the prologue in the drama of Euripides.

再没有甚么比欧里庇德斯的悲剧序幕更违反今日的舞台技巧了。

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Who neglects learning in his youth, loses the past and is dead for the future& Euripides, Greek philosopher.

年轻时忽视学习之人，失掉了过去也埋葬了未来&欧里彼得斯，希腊哲学家。

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The death struggle of tragedy had been fought by Euripides, while the later art is known as the New Attic comedy.

欧里庇德斯亲身经历过悲剧的垂死挣扎之苦。这种后起的艺术叫做阿提刻新喜剧。

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Euripides set out, as Plato was to do, to show the world the opposite of the "irrational" poet;

欧里庇德斯企图对世人指出这种“不知不觉的”诗人之对立面，正象柏拉图曾经指出那样；

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On the Differences in Creation Between Sophocles and Euripides& Take the Same Name "Electra" as an Example

论索福克勒斯和欧里庇得斯创作之不同&以同名剧《埃勒克特拉》为例

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But Euripides reasoned quite otherwise.

然而，欧里庇德斯却完全从另一角度来考虑。

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In this context we can understand the passionate fondness of the writers of the new comedy for Euripides.

从这种渊源关系，不难理解，为甚么新喜剧的诗人们对欧里庇德斯抱着这样热情的倾慕。

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When I said earlier that Euripides had brought the spectator on the stage in order to enable him to judge the play,

我们在上文说过，欧里庇德斯曾把观众带上舞台，同时使观众确实有能力评判戏剧；

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Helen by Euripides& What a man should Be

欧里庇得斯笔下的海伦&人应该有的样子

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Meanwhile choirmaster Euripides was the object of fulsome praise;

然而，歌队长欧里庇德斯还是不断博得称誉；

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Euripides: Fine. So what do we need, about a thousand workstations?

好。那我们差不多要一千台工作站吧？

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But what relationship can be said to obtain between such an ideal Apollinian drama and the plays of Euripides?

那么，欧里庇德斯的戏曲对梦境戏曲的理想之关系是怎样呢？

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Athena and Euripides don't complete their work until the dialogue's close.

指导对话结束，雅典娜和欧利比的司才算完成了他们的工作。

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We can hardly go wrong then in calling Euripides the poet of aesthetic Socratism.

因此，我们不妨认为，欧里庇德斯是审美苏格拉底主义的诗人。

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one might say that Euripides succeeded in transporting the spectator onto the stage.

那末，我们只须指出：欧里庇德斯把观众带上舞台。

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Whom the gods destroy, they first make mad. ( Euripides)

上帝要谁覆灭，必先让他猖狂。（欧里比德斯）

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