Sunlight slants down from above, dense mist surges up from below; the dazzling gleam of the sunny clouds is a magnificent sight.

  • 上面阳光垂照下来,下面浓雾滚涌上去,云蒸霞蔚,颇为壮观。
  • 来源:互联网摘选更新时间:2026-07-01 16:03:54

  • 重点词汇
  • surgesn.奔涌向前( surge的名词复数 );(数量的)急剧上升;(感情等)洋溢;浪涛般汹涌奔腾;
  • upadv. 在上面,在高处;起床,起来;向上;由低到高;
  • sunnyadj.和煦的:照到阳光的;快活的,性情开朗亲切的;
  • cloudsn.云( cloud的名词复数 );团;群;造成不愉快或不明朗的事物;
  • slantsv.(使)倾斜,歪斜( slant的第三人称单数 );有倾向性地编写或报道;
  • theart.这个;指已提到或易领会到的人或事物;指独一无二的、正常的或不言而喻的人或事物;用以泛指;与形容词连用,指事物或统称的人;用于姓氏的复数形式前,指家庭或夫妇;(指特定用途的事物)足够,恰好;每,一;当前的,本,此;(重读,表示所指的为知名或重要的人或事物)
  • magnificentadj.壮丽的;宏伟的;值得赞扬的;
  • mistn.薄雾;视线模糊不清;液体喷雾;
  • 相关例句
1、

The dense mist slow dissipates as the sun rises. I see you are gazing at me, smiling softly at dawn.

太阳慢慢升起,浓雾渐渐散去。我看见你深情地凝视着我,晨曦中梨涡浅笑。

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2、

A New Textual Research on the Writing Date of The Romance Of The Three Kingdoms

《三国演义》成书年代新考

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3、

The tragic flavor in Romance of the Three Kingdoms, a Chinese classic, is shaped from four aspects ── the selection of material, the arrangement of plot, the creation of characters and the making of atmosphere.

《三国演义》从题材处理,布局谋篇、人物设置、情调氛围四个方面进行悲剧运作,形成了强烈的悲剧态势。

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4、

In the romance of the history of the Three Kingdoms the author applies the writing pattern of informing style to the development of the plot, which makes informing style play an immeasurable role in the works.

在《三国演义》中,作者将告语类文体的撰写模式熟练地应用于情节发展之中,使告语类文体在作品中发挥了不可低估的作用。

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5、

Digital approaches and research of the edition of The Romance of the Three Kingdoms

数字化与《三国演义》版本研究论

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6、

Implications of the Plots of Romance of the Three Kingdoms and Readers' Interpretations

《三国演义》情节的蕴涵与读者的阐释

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7、

This method affects the characterization in Romance of the Three Kingdoms.

这一点影响了《三国演义》的人物形象塑造。

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8、

It is impossible to talk about Chinese culture without references to works like the "Romance of the Three Kingdoms"," the Journey to the West", "the Water Margin" and "the Dream of the Red Chamber".

谈到中国文化,不可能不提到《三国演义》、《西游记》、《水浒传》和《红楼梦》。

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9、

Experts, however, have always doubted this, believing it was more a fabrication that reflected Cao` s political cunning as portrayed in the classic Romance of the Three Kingdoms.

然而专家们却一直对此表示怀疑,并坚信这只是人们虚构的说法,为的是反映出曹操本人就像经典《三国演义》中描写的那般狡猾多谋。

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10、

The Popular Romance of the Three Kingdoms is concrete, vivid and fresh Literature works of characters type.

《三国志通俗演义》无疑是一部具体、生动、鲜活的人物类型化的文学性著作。

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11、
12、

The Romance of the Three Kingdoms ( ROTK) is one of the several most outstanding historical romance novels in history of our country. There is very great research value in such aspects as literature, art, management, military, and diplomacy.

《三国演义》是我国历史上最优秀的几部历史演义小说之一,在文学、艺术、管理、军事、外交等方面都有很大的研究价值。

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13、

In the Romance of the Three Kingdoms, the great 14th-century historical novel, Zhuge is one of the main characters; he is portrayed as being able to control the wind and foretell the future.

在14世纪伟大的历史小说《三国演义》中,诸葛亮是主要人物之一,被描述成个能够呼风唤雨预知未来的人物。

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14、

Of the120 chapters of The Romance of the Three Kingdoms, a well-known Chinese classic novel, 32 chapters were devoted to describing the events and legends which took place in Xiangyang.

闻名中外、脍炙人口、家喻户晓的古典名著《三国演义》120回的故事中有32回发生在襄阳。

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15、
16、

It had not been recorded in a document for decades after The Romance of the Three Kingdoms written down, which is a result of mistaken culture policy at the beginning of Ming period.

《三国演义》成书后数十年间不见于文献记载,那是明初错误的文化政策造成的结果。

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17、
18、

"The Romance of the Three Kingdoms" is one of our country's four big famous works, in which most people are familiar with one character, that is Zhuge Liang.

《三国演义》是我国的四大名著之一,在《三国演义》中人们最熟悉的人物莫过于诸葛亮了。

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19、

The Romance of the Three Kingdoms is the one of the attractive story in ancient China, of which the domestic academics research much on its characters in text as well as text.

三国故事是中国古代名著故事中引人注目的故事之一,国内学者对三国各种文本的研究以及文本中人物的研究非常多。

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20、

Luo Guanzhong shows his outstanding artistic talent in creating various typical characters in The Romance of the Three Kingdoms' and vividly exhibits Chinese tragic development.

罗贯中尽艺术表现之能事,在《三国演义》中全力塑造了众多不同类型的典型形象,并由此生动地展示了中华民族的悲剧历程。

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