Stravinsky

By subjective and objective reasons, Stravinsky turned to chamber music composition since 1914.

由于主客观原因, 自1914年斯特拉文斯基在创作上开始向室内乐转型.

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Over the years, Stravinsky experimented with virtually every technique of20th century music: tonal, polytonal and12-tone serialism.

几年间，史特拉汶斯基几乎用尽了每个20世纪当代的音乐技巧做试验，包括：音列技法、多重因列技法、12音列技法。

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Stravinsky's Firebird Suite

斯特拉文斯基的组曲《火鸟》

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it was not just that he thought "intensive measuring and counting" the key to music's future; stravinsky had got there long before him.

这也不是因为施托克豪森认为“精深的测定与计算”是决定音乐未来的关键，斯特拉文斯基在他之前就已经参透这些。

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analysis of orchestration of the firebird suite of stravinsky

斯特拉文斯基芭蕾组曲《火鸟》的配器技术分析

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The programme concluded with Stravinsky's 'Rite of Spring'.

演出节目以斯特拉文斯基的《春之祭》结束。

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Stravinsky's music was always changing.

斯特拉文斯基的乐曲风格是不断变化的.

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Balanchine choreographed many pieces to Stravinsky's music.

巴兰钦为斯特拉文斯基的音乐设计了许多舞蹈动作.

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He likens the group OutKast to Stravinsky.

他将OutKast组合比作斯特拉文斯基.

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'One thing I love about ballet is the incredible music, especially getting to perform with a live orchestra,' she says, who counts Stravinsky as one of her favorite composers.

沃尔夫说：我爱芭蕾表演时那美妙的音乐，特别是在乐队现场伴奏下跳芭蕾的感觉。她表示，斯特拉温斯基（Stravinsky）是她喜欢的作曲家之一。

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But Stravinsky never copied the work of others. He let his own music develop from it.

但斯特拉文斯基从不照搬别人的作品,而是在别人的基础上有所发展.

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on absurd style music of stravinsky

斯特拉文斯基音乐荒诞风格的研究

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stravinsky, to whom lipatti showed his toccata , could only tell him to "continue in the same direction. "

斯特拉文斯基，李帕蒂给他看了他的托卡塔，只能告诉他“照此方向继续。”

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Mr McWhorter , a fellow of the Manhattan Institute , a conservative think-tank , is a hip-hop fan.

他把俄裔现代作曲家 Stravinsky 的音乐注:史特拉汶斯基( IgorStravinsky )与黑人OutKast乐队相比.

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The man has accumulated a repertoire of facial tics and blinks that demand nothing less than a complete musical score by Stravinsky.

此人积累了一套关于面部痉挛和眨眼的保留节目，至少需要斯特拉文斯基的全套配乐来伴奏。

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The other guests included Pablo Picasso and Igor Stravinsky.

其余的嘉宾包括了毕加索（画家）和伊戈尔•斯特拉文斯基（音乐家）。

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The Russian composer Igor Stravinsky ( 1882-1971) used both the old and the new.

俄国作曲家伊戈尔·斯特拉文斯基（1882&1971）既采用旧的形式，也采用新的形式。

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the article recounts the legendary life of stravinsky and his outstanding contribution to the musical culture of the human being, it narrates his life and the periods of composition which puts him in a special period of the history of the west music.

将斯特拉文斯基置于西方音乐史中的特定历史时期，通过对其生平以及创作时期的叙述，展示了他传奇的一生和对人类音乐文化的突出贡献。

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The performers are rigorously rehearsing their renditions of works by Holst and Stravinsky.

演奏者们正在严格排练霍尔斯特和斯特拉文斯基的作品。

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Alexey is the author of the transcriptions of such works as "Concerto for Piano and Orchestra"," Century Rolls" by John Adams and "The Rite of Spring" by Igor Stravinsky.

除此以外，他还是约翰·亚当斯《世纪摇滚》钢琴和管弦乐队协奏曲以及伊戈尔·斯特拉文斯基《春之祭》的编曲作者。

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Igor Stravinsky was known as one of the most distinguished composers in the music history of the 20th century.

伊戈尔·斯特拉文斯基是20世纪音乐史上最为杰出的作曲家之一。

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stravinsky wrote some of his best-known music for ballets: the firebird, petrushka, and the rite of spring.

斯特拉文斯基写过一些很著名的芭蕾舞曲，如《火鸟》、《彼得鲁什卡》和《春之祭》。

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Over the last century many world renowned artists have performed there including Peter Tchaikovsky, Igor Stravinsky, and Maurice Ravel and George Gershwin.

在过去的一个世纪里，许多著名的艺术家都在此进行过他们的表演，包括柴可夫斯基，斯特拉文斯基伊戈尔和拉威尔和乔治格什温。

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The orchestra's been swotting up their Holst and Stravinsky.

该管弦乐队一直在刻苦排练演奏霍尔斯特和斯特拉文斯基的作品。

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Maurice Ravel and Igor Stravinsky.

莫里斯?瑞沃尔和伊格尔?史翠温斯基的作品.

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Stravinsky left Russia in 1914 and settled in FRANCE.

斯特拉文斯基于1914年离开俄国定居法国.

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