1、

The melody in Chinese pentatonic scales is hard to compose, and it is more difficult to compose a real melody in Jiao Mode.

一般中国五声调式旋律难写,要写成一条真正的角调式旋律则更加困难。

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2、

Most traditional music by Pipa belongs to the pentatonic scale, and the speed is intermediate or slow.

琵琶传统乐曲大都是五声调式,速度大都是中速或慢速。

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3、

Harmonic Methodology Based on Third-Studies on Pentatonic Harmony

三度结构的和声方法&五声性调式和声研究之一

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4、

Creating national music with diverse pentatonic scales can embody ethical and local features.

我们要搞民族音乐创作可运用多种类型的五声音阶,这既有民族化,又有地方特色,是创作的好路子。

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5、

Notes on national pentatonic harmony Q& A on Sex

谈民族五声性和声

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6、

Analysis of the Structure of Pentatonic Scale Chord and Its Characteristic Redivision in Use

五声性和弦的结构概念辨析及使用特性上的再分类

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7、

The Theory& the Practice on the Lateral Synthesis of the Same Keynote in Chinese Pentatonic Modes

中国五声调式同主音横向综合的理论与实践

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8、

The mode of the Four Chamber is unified seven modes, pentatonic scale being the backbone.

这里的四腔调式是以五声音阶为骨干的七声羽调式,且调式统一。

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9、

The same as folk song in other area, pentatonic scale is also the base of Korean music melody.

同中国其它地区的民歌一样,五声调式音阶也是朝鲜族音乐曲调的基础。

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10、

On Twelve-Tone Technique and its Application in Pentatonic

浅谈十二音技法及其五声化的应用

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11、

So, it's a penta& what we call a pentatonic scale.

因此,它是一个所谓的,五,我们称之为五声的音阶。

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12、

The second part is analysis of Chinese composers' exploration of alternating and far-relationship transfering of pentatonic tonality.

第二部分是分析在中国作曲家的作品中,有关五声调式交替、五声调式远关系转调方面的探索与实践。

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13、

The formulaic character of melody is concluded by the musical scale, pentatonic modes Tonality and melody.

其中曲调程式性特征指从抚州采茶戏音乐的音阶、调式、调性及旋律形态等方面归纳出的具有规律性的曲调特征;

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14、

How to combine the characteristics of pentatonic in teaching development of tonality is the difficult and important content in courses such as keyboard harmony, improvisation in colleges nowadays.

怎样结合我国五声调式的特点进行调性发展方法的教学,是我国高等院校音乐教育系科普遍开设的专业基础课程&键盘和声、即兴演奏(即兴伴奏)课程的教学难点与重要内容之一。

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15、

The music is wonderful and it's a very rich chromatic score using traditional ideas of Chinese music, using a pentatonic scale and certainly the vocal lines are very traditional.

配乐很棒,是非常丰富的采用传统中国音乐理念的半音音律,用的是五声音阶,而且演唱的部分也非常传统。

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16、

The pentatonic scale and subtle, lilting phrasings of kunqu give way to a world of pitch and melody in which almost anything goes.

昆曲的五声音阶以及精妙细腻、抑扬顿挫的乐句,让位于一个几乎什么都有可能的音高和旋律构成的世界。

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17、

The creation of professional Chinese multiple-voice begins with early 1920s. When the composers work on the music creation, they often adopt pentatonic notes on melody work.

中国专业性的多声部音乐创作,始于20世纪20年代初。作曲家在进行音乐创作时,在旋律的写作上往往会采用五声性音调。

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18、

The pentatonic scale in ancient China is a resource of national music, we should give more attention to its research and application and to create more favored works with good effect and rich national features.

中国古代五声音阶是我们民族音乐之源,我们应更多地研究它,运用它,以便创作出更多效果更好、含有丰富民族特色的受广大群众喜爱的音乐作品。

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19、

The analysis demonstrates that five strings 'pitch corresponding to the pentatonic scale originates to synthesis of three kind of the equal parts' theory on a string in the Western Zhou Dynasty.

分析表明,与五声相对应的五弦音高来自西周三种一弦等份取音法主要节点的综合。

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20、

These may be five-tone ( pentatonic) or six-tone ( hexatonic) scales.

它们可以是5个乐音(5声音阶),也可是6个乐音(6声音阶)。

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