1、

Mao Dun and His Research with Internet and Electronic Publication

茅盾及其研究与国际互联网和电子出版物

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2、

They take me for a dun, peer out from a coign of vantage. Noel: Running away from the debt collector! I tripped.

他们以为讨债的来了,就从安全的地方朝外窥伺。诺尔:我在逃避债主的追讨时绊倒。

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3、

Mao Dun's early literary career underwent the change from neo-romanticism back to naturalism.

茅盾早期的文学选择有过从“新浪漫主义”退回“自然主义”的变化。

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4、

Mao Dun's Neo-Romanticism is about how to construct new literature after criticizing the feudal literary concepts. It not only represents the changes in literary concepts but also reflects the new requirements upon literature for the development of times and social life.

茅盾的新浪漫主义,是在批判封建文学观念后提出的建设新文学的主张,它不但体现了文学观念的变化,也反映了时代和社会生活发展对文学所提出的要求。

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5、

A dilemma for socialist realism ── An analysis of some quotations from MAO Dun's theoretical proposition on literature

社会主义现实主义的两难:叙事还是抒情&对茅盾文学理论主张的话语分析

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6、

and you'll be drunk, most of the time. so the tulane class of 2009, i say congratulations and if you don't remember a thing i said today, remember this: you're gonna be ok, dun-doom-doom-doom-doom, just dance.

因此,杜兰大学2009届的毕业生们,祝贺你们顺利毕业!如果你们不记得我说过的任何话,请记住这句,你会没事的,尽管跳舞吧!

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7、

At earlier time, Mao Dun mainly expressed his feeling about arranged marriage with his humanism and self-sacrifice spirit.

早期基于人道主义和自我牺牲精神的矛盾之论,引发于自我包办婚姻的感同身受;

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8、

Grade in Academy and Cultural Pursuits of Theoretical Periodicals on Social Sciences& Enlightenment from Short Story Monthly chiefly edited by MAO Dun

社科理论期刊的学术品位与文化追求&茅盾主编《小说月报》的启示

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9、

Then, regardless of whether Hun Dun would agree or not, Tiao and Hu began working on him. One took a big chisel3 and the other swung an iron hammer to bore one hole a day on Hun Dun's head.

接着,鯈和忽不管浑沌本人同意和不同意,一齐动手,一个拿把大凿子,一个抡起大铁锤,叮叮当当,在他头上每天凿一个孔。

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10、

One day, Tiao and Hu met again and talked about Hun Dun. They were very grateful to him and wished to repay him well.

一天,鯈和忽又碰在一道谈起浑沌,都非常感激他,想好好地报答他一番。

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11、

From the2nd floor of a commercial building in Dehra Dun grows a bodhi tree!

德拉敦某商业大楼的二楼,长出一棵菩提树!

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12、

Won Ton Soup, called "Hun Dun" in Mandarin, is a highly welcoming dish in China.

馄饨在中国是广受欢迎的一道菜。

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13、

A reply, in the shape of 'Why?' came as it were out of the belly of a dun cow in the stalls; it had been spoken by a milker behind the animal, whom she had not hitherto perceived.

有人接口说了句为什么,声音似乎是从牛棚里一头黄牛的肚子里发出来的;这句话是那头牛后面的一个挤奶工人说的,苔丝直到这时才看见他。

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14、

First it argues the Dun in Chinese classical poetry should be substituted for feet in English version, and five or seven-character Lines in Chinese poetry be rendered as iambic pentameter in English poetry in the perspective of rhythm.

就节奏来说,本章提出中国古典诗歌中顿在翻译中应当用英语中的韵脚来代替,中国古诗中的五言或七言律诗在英译中应当以抑扬格五音步的形式呈现。

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15、

In Dun Huang, I saw that art could be all-embracing in a domain and also reach the ultimate level of humanity.

在她这里,我见到了艺术能够在一个领域里做至包罗最广也达至人性最根本的层次。

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16、

The Buddhist scriptures written at Dun Huang is of great significance to the study of Chinese vocabulary.

敦煌写本佛经对研究汉语词汇史有比较重要的意义。

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17、

A Comparison Between Chinese biyu and English Metaphor; The Buddhist scriptures written at Dun Huang is of great significance to the study of Chinese vocabulary.

Metaphor和比喻:英汉比较研究敦煌写本佛经对研究汉语词汇史有比较重要的意义。

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18、

Out of gratitude, Wang Dao was assumed the position of the chief Minister in control of the court and Wang Dun, the half brother of Wang Dao, grasped the power of army forces and defense. Besides, other main posts in court were in the hands of Wang's families as well.

司马睿十分感激王导,任他为宰相,执掌朝政,让王导的堂兄王敦都督军事,握有重兵,控制军权,其他重要的官职,大多数也由王导家族担任。

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19、

With the development of handicraft industry, private entrepreneurs in some businesses were a-ble to acquire wealth and finances, like the salt producer Yi Dun of Lu, Widow Qing in the state of Qin owned mines producing cinnabar, ironworks of the families Kong and Zhou in Wei , and Guo Zong in the State of Zhao.

随着手工业的发展,出现了一些私营大手工业主,如鲁国煮盐的猗顿,秦国巴地开采丹砂的寡妇清,冶铁业如魏国的孔家、卓家和赵国的郭纵等。

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20、

In aesthetics, he thought that literature works were the account in author's own words and his novels belong to romantism aesthetics category and are different from realism aesthetics category which emphasizes the fusion of subject and object in LU Xun and Mao Dun's novels.

在美学范畴上,他主张文学作品都是作家的自叙传,有别于鲁迅、茅盾等注重主客体交融的现实主义美学范畴,属于主观表现的浪漫主义美学范畴。

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