1、

thus, absurdism serves as an intermediary between tragedy and comedy.

由此,荒诞是悲剧与喜剧的中介;

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2、

circling from farcicality to irony and humor, at last returning to farcicality, comedy ends in absurdism, too.

喜剧从滑稽、讽刺到幽默,又回到滑稽,其终点也是荒诞。

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3、

we can divide it roughly into three aspects: 1. absurdism; 2. fatalism; 3. the consciousness of vitality.

本章粗略地把它分为三个方面:其一、荒诞意识,其二、宿命意识,其三、生命意识。

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4、

evolving from fate tragedy to character tragedy and to history tragedy, finally back to fate tragedy again, tragedy ends in absurdism;

悲剧从命运悲剧、性格悲剧到历史悲剧,又回到命运悲剧,其终点是荒诞;

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5、

kafka was also considered as the forefather of modern school literature and exerted a significant influence upon the schools of symbolism, absurdism, stream of consciousness, black humor, and surrealism.

卡夫卡也被视为是开创现代派文学先河的第一人,对后期的象征主义、荒诞主义、意识流、黑色幽默、超现实主义等诸多现代艺术流派有着特殊的影响。

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