Oedipus, Antigone and Socrates were the tragic figures mainly-concerned by Hegel.
依底帕斯 、 安悌果尼以及苏格拉底乃是黑格尔在其诸多着作中,最主要关心的悲剧人物.
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这种存在论思想方式,与当年马克思对黑格尔冒充自身的 自我 意识的存在批判是一致的.
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Hegel's and Feuerbach's philosophy are the main theoretical root of materialistic dialectics.
黑格尔哲学和费尔巴哈哲学是唯物辩证法的主要理论来源.
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Hegel s tragic view is a purposeful fatalism , which has been criticized by Cherlishifski.
黑格尔的悲剧观是一种有目的的宿命论.
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Hegel claimed to have overcome paradox, but Kierkegaard was not convinced.
黑格尔宣称战胜了矛盾, 但克尔凯郭尔不信.
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Hegel thought that the God of religion was an intuition of Absolute Spirit or Geist.
黑格尔认为宗教的上帝是绝对精神或灵魂的直觉.
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However, Hegel exerts a subtle influence on the thought of Kierkegaard.
然而, 克尔凯郭尔的思想又受到黑格尔潜移默化的影响.
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Plato, Locke, Hegel, Spencer, are such temperamental thinkers.
柏拉图 、 洛克 、 黑格尔 、 斯宾塞是这种有特殊气质的思想家.
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But where lies, in Hegel's words, the speculative truth of this proposition?
但是用黑格尔的话说, 这个命题的思辨的真理位于什么地方?
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The following lecture course is an interpretation of Hegel's Phenomenology of Spirit.
下列讲座课程是黑格尔《精神现象学》的一个讲解.
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Hegel believed that music is freer than painting as It'subject to the limits of materials.
黑格尔认为,音乐已经摆脱了物质材料的空间性和物质性,所以就比绘画更自由.
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现象学方法是反映现代实践格局的思维方法，本文认为：黑格尔是第一个用现象学方法建构其哲学体系的人。
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