Dionysian的例句大全

But if our feelings were those of entirely Dionysian beings, myth as a symbol would remain totally ineffective and unnoticed, and would never for a moment keep us from listening to the re-echo of the universalia ante rem [ The universals before the thing.].

但是，如果要我们有纯粹酒神式生灵的感情，这种象征的神话，即使在我们身边，既不妨碍我们，也不引起注意，决不会使我们霎时间充耳不闻uniBversaliaanterem（先于事物的普遍性）的回响。

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Already in Sophocles we find some embarrassment with regard to the chorus, which suggests that the Dionysian floor of tragedy is beginning to give way.

关于歌队的难题，早已在索福克勒斯的作品中表现出来：——一个重要的迹象是在他的剧中，悲剧的醉境基础已经开始崩溃了。

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The Dionysian musician, himself imageless, is nothing but original pain and reverberation of the image.

酒神型音乐家则无需形象，他自己就是纯粹观照的原始痛苦及其原始反响。

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Where the Dionysian powers rise up as impetuously as we experience them now, Apollo, too, must already have descended among us, wrapped in a cloud; and the next generation will probably behold his most ample beautiful effects.

当酒神的威力以我们所目睹之势，高涨起来，梦神也定必披上云彩，降临到人间，未来的世代行将见到他的最丰富最美丽的效果。

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Thus the Apollinian tears us out of the Dionysian universality and lets us find delight in individuals;

所以，梦神的力量，从我们手上夺去醉境的普遍性，使我们喜爱个别的东西；它把我们的同情心桎梏在个性上；

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their Dionysian music, in especial, spread abroad terror and a deep shudder.

尤有甚者，酒神祭音乐激起人们的惶惑和恐惧。

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We have here an indication that dismemberment-the truly Dionysian suffering-was like a separation into air, water, earth, and fire,

那就是说，这样的解体，亦即酒神所受的苦难，是如同气化、水化、土化、火化那样的，

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Later the tragic chorus came to be an aesthetic imitation of that natural phenomenon; which then necessitated a distinction between Dionysian spectators and votaries actually spellbound by the god.

后来悲剧歌队的结构就是在艺术上模仿这种自然现象，这里当然需要分开酒神祭观众与变态的与祭者。

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Instead, just live vicariously through this Dionysian testament to living by your wits: 40 minutes where rags become riches and the world is your reward.

否则，你只能在酒神节中的狂欢中籍着自己的一点小聪明过日子：在这40分钟的音乐里，碎屑变成财富，这个世界则都是对你的奖赏！

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Dionysian affirmation of the spirit of the meaning of life is the will to power, the eternal essence of reincarnation and the superhuman.

酒神精神的肯定生命的含义也是权力意志、永恒轮回和超人的要义。

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Remained the nearest to the instinctual, the irrational in music, and thus to the Dionysian spirit in art ( bMusco Carner)

最接近本能的、无理性的音乐，保留戴奥尼索斯艺术中的精神（b穆斯科卡尔内）

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In the end, their human organism maimed, their Dionysian impulses defeated with the process of industrialization, they are becoming the living dead.

最终在工业化进程中，他们的肉体伤残，生命活力丧失，成为“活死人”。

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In Dionysian art and its tragic symbolism the same nature cries to us with its true, undissembled voice: "Be as I am! Amid the ceaseless flux of phenomena I am the eternally creative primordial mother, eternally impelling to existence, eternally finding satisfaction in this change of phenomena!"

反之，在醉境艺术及其悲剧的象征中，性灵却以坦率挚诚的声音对我们喊道：“学我的榜样吧！在瞬息万变的现象中，我是永远创造，永远求生，历万劫而不朽的根源之母！”

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This chasm of oblivion separates the quotidian reality from the Dionysian.

正是这个忘忧的洪沟，分隔开日常生活的世界与醉境的现实。

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The Dionysian Greek, desiring truth and nature at their highest power, sees himself metamorphosed into the satyr

但是酒神祭的希腊人却追求最强有力的真实和自然，所以他们见到自己变为萨提儿。

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The satyr, as the Dionysian chorist, dwells in a reality sanctioned by myth and ritual.

酒神祭歌舞者萨提儿，就生活在神话和崇拜保证之下宗教所认可的一种现实中。

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Perhaps we can gain a starting point for this inquiry by claiming that the satyr, that fictive nature sprite, stands to cultured man in the same relation as Dionysian music does to civilization.

我试提出这样的命题，这种假设的自然生灵萨提儿之于有教养的人，正如酒神祭音乐之于希腊文明那样；我们也许从这里找到研究的起点。

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The satyr chorus is, above all, a vision of the Dionysian multitude, just as the world of the stage is a vision of that satyr chorus--a vision so powerful that it blurs the actors' sense of the "reality" of cultured spectators ranged row on row about him.

萨提儿歌队主要是酒神祭群众所见的幻影，而舞台境界则是萨提儿歌队所见的幻影。这幻影的力量如此强大，足以使人眼花缭乱，看不见“现实”的印象和周围座上有教养的人们。

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Tragic art, originally and essentially , belongs to the Dionysian art, imbued with Dionysian spirit.

悲剧艺术无论就其根源还是就其性质而言, 都是一种酒神艺术, 其根本的精神乃是一种酒神精神.

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Which of the plays that we have read so far would seem the most Dionysian?

我们至今读过的戏剧中,哪部最具酒神风格?

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